T.N.T. JAZZ 1925 HOW TO
T.N.T. JAZZ 1925 FULL
T.N.T. JAZZ 1925 PLUS
T.N.T. JAZZ 1925 SERIES

It doesn’t quite succeed in that department, but the opener does conclude with the promise of more interesting times ahead. 4, “Mob City” needs to grab your attention right off the bat.

T.N.T. JAZZ 1925 SERIES

It’s yet another take on mobsters, crooked cops, crime and corruption in ’40s-era LA.Īiring on TNT as an “event” series over three weeks (and six episodes) starting Dec. “Mob City,” created by Frank Darabont (“The Green Mile,” “The Walking Dead”), is based on John Buntin’s (non-fiction) book, “LA Noir,” which detailed the epic battle between mobster Mickey Cohen and LA police chief William Parker. While there has been no shortage of LA noir dramas on the big screen (“Chinatown,” “Mulholland Drive,” “LA Confidential”), it’s a genre that’s been largely ignored on TV. 'House of the Dragon' star Emily Carey says she was afraid of sex scenes Near the end of Armstrong’s period with Henderson, the band was recording such swinging numbers as “Sugar Foot Stomp,” “What-Cha-Call-Em Blues,” and “TNT.” Jazz would never be the same again.'Appalling': Critics rip CBS over decision to cut Queen's funeral to air 'The Price Is Right'ĭon Lemon claims new CNN role is a 'promotion' despite losing primetime showĬNN axes Don Lemon from primetime, moves him to morning show in anchor shakeup Most intriguing are the numbers such as “How Come You Do Me Like You Do,” “Mandy Make Up Your Mind,” and “Alabamy Bound,” where Armstrong emerges from a stodgy arrangement to shine a beacon of light that moves the music ahead by a decade. While this music has come out in piecemeal fashion ever since, this is still the most complete reissue.

T.N.T. JAZZ 1925 PLUS

The three-CD set Louis With Fletcher Henderson compiled by the Forte Record Productions in France back in 1992 has the complete story with all of the 65 performances (including the alternate takes plus five numbers with a small group backing the vaudeville team of Coot Grant and Kid Wilson) that were recorded by Armstrong during his year with Henderson. His year with Henderson not only changed the sound and style of the orchestra but it altered the way that other New York musicians played and ultimately all of jazz itself.

T.N.T. JAZZ 1925 HOW TO

The instrumentalists and arranger Don Redman listened closely as Armstrong displayed a beautiful tone, “told stories” during solos that built up as they progressed, and emphasized impeccable timing in his playing, knowing how to use silence dramatically. The addition of trombonist Charlie Green had helped a little but, when Armstrong arrived, it soon became obvious that he was years ahead of the other musicians, even Coleman Hawkins.

T.N.T. JAZZ 1925 FULL

Its musicians were proud of their ability to read music but most of them were actually rhythmically awkward players, their solos were full of flashy effects, and the band rarely swung. When Louis Armstrong moved from Chicago to New York in September 1924 to join Fletcher Henderson’s orchestra, the Henderson group was ranked as one of the top black dance bands although it was not on the level of the top Chicago jazz groups. Rarely has one musician made such a difference. Have Your Chill, I'll Be Here When Your Fever Rises (3:02)

I'll Take Her Back If She Wants to Come Back (3:11)ġ8. Why Couldn't It Be Poor Little Me? (3:02)Ġ9. Why Couldn't It Be Poor Little Me? (3:02)ġ6. Why Couldn't It Be Poor Little Me? (3:02)ġ5. Why Couldn't It Be Poor Little Me? (3:04)ġ4. How Come You Do Me Like You Do? (2:52)ġ1. How Come You Do Me Like You Do? (3:06)Ģ1.

How Come You Do Me Like You Do? (3:10)Ģ0. Don't Forget You'll Regret Day by Day (3:15)ġ9.

T.n.t. jazz 1925